Rejoice can be seen as the long overdue confluence of two mighty African musical rivers – a union of two free-flowing souls for whom borders, whether physical or stylistic, are things to pass through or ignore completely. With renewed resolution, Tony Allen and Nick Gold, with the blessing and participation of Hugh Masekela’s estate, unearthed the original tapes and finished recording the album in summer 2019 at the same London studio where the original sessions had taken place.
#Hugh masekela flac archive#
The unfinished sessions, consisting of all original compositions by the pair, lay in archive until after Masekela passed away in 2018. When, in 2010, their touring schedules coincided in the UK, the moment presented itself and producer Nick Gold took the opportunity to record their encounter. Having first met in the 70s thanks to their respective close associations with Fela Kuti, the two world-renowned musicians talked for decades about making an album together. Financial Times Rejoice is a very special collaboration between Tony Allen, the legendary drummer and co-founder of Afrobeat, and Hugh Masekela, the master trumpet player of South African jazz. Every rattle of snare is pin-drop sharp." Where most recordings of Africa ’70 push Allen’s drums to the back, Gold puts them at the centre of the sound, as if we are listening from inside the kit. It defies every maxim of the genre - the need to be relentlessly danceable, the imperative of a scabrous frontman It is wonderful. if Rejoice is Afrobeat it is chamber Afrobeat: a minimalist version of a resolutely maximalist music, with faders on guitars pushed to zero and mostly vocals, so that all that remains is Allen’s drumming and Masekela’s brass, with the merest hints of bass and keyboards.
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